My Top 111 Favorite Films Of ALL TIME

In chronological order:

THE LAST LAUGH (1924, F.W. Murnau)
SEVEN CHANCES (1925, Buster Keaton)
METROPOLIS (1926, Fritz Lang)
SUNRISE (1927, F.W. Murnau)
THE PASSION OF JOAN OF ARC (1928, Carl Theodor Dreyer)
M (1931, Fritz Lang)
TABU (1931, F.W. Murnau)
SCARFACE (1932, Howard Hawks)
TROUBLE IN PARADISE (1932, Ernst Lubitsch)
L'ATALANTE (1934, Jean Vigo)
THE CRIME OF MONSIEUR LANGE (1936, Jean Renoir)
GRAND ILLUSION (1937, Jean Renoir)
YOU ONLY LIVE ONCE (1937, Fritz Lang)
BRINGING UP BABY (1938, Howard Hawks)
ONLY ANGELS HAVE WINGS (1939, Howard Hawks)
RULES OF THE GAME (1939, Jean Renoir)
THE WOMEN (1939, George Cukor)
HIS GIRL FRIDAY (1940, Howard Hawks)
THE SHOP AROUND THE CORNER (1940, Ernst Lubitsch)
CITIZEN KANE (1941, Orson Welles)
THE MAGNIFICENT AMBERSONS (1942, Orson Welles)
TO BE OR NOT TO BE (1942, Ernst Lubitsch)
LE CORBEAU (1943, Henri-Georges Clouzot)
DAY OF WRATH (1943, Carl Theodor Dreyer)
SHADOW OF A DOUBT (1943, Alfred Hitchcock)
MEET ME IN ST. LOUIS (1944, Vincente Minnelli)
TO HAVE AND HAVE NOT (1944, Howard Hawks)
NOTORIOUS (1946, Alfred Hitchcock)
OUT OF THE PAST (1947, Jacques Tourneur)
QUAI DES ORFEVRES (1947, Henri-Georges Clouzot)
THE LADY FROM SHANGHAI (1948, Orson Welles)
RED RIVER (1948, Howard Hawks)
I WAS A MALE WAR BRIDE (1949, Howard Hawks)
PUCE MOMENT (1949, Kenneth Anger)
DIARY OF A COUNTRY PRIEST (1950, Robert Bresson)
NIGHT AND THE CITY (1950, Jules Dassin)
STRANGERS ON A TRAIN (1951, Alfred Hitchcock)
CASQUE D'OR (1952, Jacques Becker)
SINGIN' IN THE RAIN (1952, Gene Kelly & Stanley Donen)
GENTLEMEN PREFER BLONDES (1953, Howard Hawks)
TOKYO STORY (1953, Yasujiro Ozu)
UGETSU (1953, Kenji Mizoguchi)
JOHNNY GUITAR (1954, Nicholas Ray)
REAR WINDOW (1954, Alfred Hitchcock)
SANSHO THE BAILIFF (1954, Kenji Mizoguchi)
A STAR IS BORN (1954, George Cukor)
KISS ME DEADLY (1955, Robert Aldrich)
TO CATCH A THIEF (1955, Alfred Hitchcock)
THE TROUBLE WITH HARRY (1955, Alfred Hitchcock)
A MAN ESCAPED (1956, Robert Bresson)
WRITTEN ON THE WIND (1956, Douglas Sirk)
BONJOUR TRISTESSE (1958, Otto Preminger)
TOUCH OF EVIL (1958, Orson Welles)
VERTIGO (1958, Alfred Hitchcock)
BREATHLESS (1959, Jean-Luc Godard)
IMITATION OF LIFE (1959, Douglas Sirk)
SHADOWS (1959, John Cassavetes)
L'AVVENTURA (1960, Michelangelo Antonioni)
PSYCHO (1960, Alfred Hitchcock)
LE TROU (1960, Jacques Becker)
L'ECLISSE (1962, Michelangelo Antonioni)
HATARI! (1962, Howard Hawks)
LA JETEE (1962, Chris Marker)
MY LIFE TO LIVE (1962, Jean-Luc Godard)
THE BIRDS (1963, Jean-Luc Godard)
8 1/2 (1963, Federico Fellini)
BAND OF OUTSIDERS (1964, Jean-Luc Godard)
GERTRUD (1964, Carl Theodor Dreyer)
SCORPIO RISING (1964, Kenneth Anger)
THE UMBRELLAS OF CHERBOURG (1964, Jacques Demy)
KUSTOM KAR KOMMANDOS (1965, Kenneth Anger)
PIERROT LE FOU (1965, Jean-Luc Godard)
AU HASARD BALTHAZAR (1966, Robert Bresson)
MASCULIN FEMININ (1966, Jean-Luc Godard)
PLAYTIME (1967, Jacques Tati)
WEEKEND (1967, Jean-Luc Godard)
THE HORSEMAN, THE WOMAN AND THE MOTH (1968, Stan Brakhage)
STOLEN KISSES (1968, Francois Truffaut)
LE BOUCHER (1970, Claude Chabrol)
EYES (1971, Stan Brakhage)
McCABE AND MRS. MILLER (1971, Robert Altman)
AGUIRRE, THE WRATH OF GOD (1972, Werner Herzog)
ALI: FEAR EATS THE SOUL (1971, Rainer Werner Fassbinder)
THE TEXAS CHAINSAW MASSACRE (1974, Tobe Hopper)
F FOR FAKE (1975, Orson Welles)
NASHVILLE (1975, Robert Altman)
ERASERHEAD (1977, David Lynch)
DAWN OF THE DEAD (1978, George Romero)
SANS SOLEIL (1982, Chris Marker)
PAULINE AT THE BEACH (1983, Eric Rohmer)
STRANGER THAN PARADISE (1984, Jim Jarmusch)
THE SACRIFICE (1986, Andrei Tarkovsky)
MIAMI BLUES (1990, George Armitage)
EXOTICA (1994, Atom Egoyan)
SATANTANGO (1994, Bela Tarr)
CLUELESS (1995, Amy Heckerling)
GOOD MEN, GOOD WOMEN (1995, Hou Hsiao-hsien)
THE SWEET HEREAFTER (1997, Atom Egoyan)
RUSHMORE (1998, Wes Anderson)
GEORGE WASHINGTON (2000, David Gordon Green)
IN THE MOOD FOR LOVE (2000, Wong Kar-wai)
WERCKMEISTER HARMONIES (2000, Bela Tarr)
LOVESONG (2001, Stan Brakhage)
THE ROYAL TENENBAUMS (2001, Wes Anderson)
WHAT TIME IS IT THERE? (2001, Tsai Ming-liang)
GERRY (2002, Gus Van Sant)
PUNCH-DRUNK LOVE (2002, Paul Thomas Anderson)
DOGVILLE (2003, Lars Von Trier)
ELEPHANT (2003, Gus Van Sant)
THE LIFE AQUATIC WITH STEVE ZISSOU (2004, Wes Anderson)

What's your top 111 favorite films of all time, Cory?